Bring 'em Back
Alive—SORT OF
The Facts on Airbrushing Taxidermy
By John H.
Peterson & Bren Southerland
- (Click on any image to view a larger version)
Reprinted with
permission from Airbrush Action (February 2000)
As a
photographer, I am always looking for unique and interesting subjects
to catch on film. When airbrush artist Bren Southerland of Las Vegas,
Nevada, mentioned taxidermy art, I wasn't particularly interested. I
have seen many mounted critters, all lacking the realism one would
expect. Bren, however, wanted me to understand taxidermy as an art
form, not just a matter of spraying a little paint. Knowing nothing of
airbrushing, I thought the art form was knowing how to work the
equipment. There were, after all, only two colors—it was a simple
matter of using pink for the mouth and black for the nose.
The animal, a
mountain lion, had been mounted and painted ten years earlier. I saw
the piece before any re-putty work was done. It looked like many
others did, unnatural. On the day the painting took place, the piece
had already been re-done to fix cracks and other flaws. With a
background in taxidermy, Bren was able to do this preparation himself.
The studio is well ventilated, and Bren stressed the need to wear a
proper mask at all times. With the big cat ready to go, we took these
steps to a execute a successful and impressive taxidermy paint job.
STEP
1: Three paint colors—black, bright pink and burnt umber—are
prepared. A lacquer-based acrylic automotive paint (in this case
DuPont) is used, partly for its structure. The lacquer-based acrylic
sticks well to the porous skin and, by flaking the paint, any
overspray can be easily removed from the hair without damage. Pink is
sprayed inside the mouth, on the front part of the nose, and around
the eyes with an Iwata Custom Micron C airbrush. The pink is also used
as a basecoat to even out the skin pigment.
STEP
2: Bren oversprays the nose with the burnt umber, giving it
an orange color (which looks far more real than the black/pink in the
original). A heavy layer of brown is sprayed around the eyes.
STEP
3: Black is now applied around the eyes. With this
three-color combination, the eyes immediately begin to give the
impression the animal is alive. Bren has studied photographs of live
animals to achieve this realism. "There is a difference in color
when the animal is alive," he says. When he works on the inside
of the ears, he uses a toothbrush to comb the hair out of the way.
STEP
4: Black is used for the lips and inside the nostrils. To
give these areas a "wet" look, heavy paint is applied. This
type of paint is glossy and works well in creating a moist appearance.
STEP
5: Once the painting is completed, the clean up begins. Any
paint on the hair will flake off easily. Removing paint from the eyes
is just as easy, but a little bit more involved. Bren uses an X-Acto
blade to score the paint to the edges of the eyes and peel it away. A
cotton swab with lacquer thinner is used to polish the glass eyes and
remove any excess paint. To avoid dripping, the swab should be wrung
out to avoid dripping.
STEP
6: Using a cotton swab and lacquer thinner, Bren cleans the
teeth. It is important to avoid the gum line because this process will
ruin the natural look of the gum at the base of the teeth.
With
the job completed, I was amazed at the difference. The time Bren spent
researching live animals and using that extra color really paid off.
Refusing to take short cuts and spending a bit of extra time and paint
was well worth the effort. Without any reservations, I must say this
is a rare and unique art form, thanks to a talented and knowledgeable
artist.
ABOUT
THE ARTIST
Bren Southerland owns JBS Grafix Design. He has been painting for
fourteen years. In addition to his work for the taxidermist, he paints
on T-shirts, automotive, canvas, illustration board, wood, helmets and
snowboard.
TECH FILE
Airbrush: Iwata
Custom Micron C, Custom
Micron SB, HP-BC,
Eclipse HP-B, HP-C,
Vega (for T-shirts), Sharpe 75 (for large areas). Air Source:
Pro-Air 6.5 hp, 80 gal. with a multi-station set-up. Paint Media:
DuPont, House of Kolor, Com-art. Createx Mask: 3M tape, Blue
Line tape, frisk, Medea freehand shields Ventilation: 3M
respirator, homemade exhaust fan and doors wide open Projector: Super
AG Artograph.